PIERRE, FOUNDER OF UKIYO
My first enamel dial was warped and full of bubbles. The white had turned yellow. I was trying to create a wave in cloisonné enamel. Yet, as I took it out of the kiln, I thought that with practice, I could solve these problems. I still had a great deal to learn.
As a child, I would take apart old mechanical alarm clocks and put them back together when I could. I also dreamed of becoming an illustrator and, for several years, attended classes at an art school after school. Later, my interest in science led me to study engineering.
Alongside this, I repaired watches, then began decorating their movements. I liked seeing what my hands could bring to a mechanism, but I wanted more freedom to create.
During visits to Vacheron Constantin and Patek Philippe, I discovered enamel dials reproducing paintings by Botticelli, and others revealing guilloché gold beneath the colour. I was captivated. I bought a few enamel colours, a simple kiln that I still use, then a lathe to make the silver bases for my dials.
I learned most of it on my own, with many failures along the way. A single firing could ruin several days of work. At times, I wanted to give up, but a new solution to try would give me the energy to carry on. For a long time, I kept my first dials to myself, because they were so far from what I had hoped for.
I also took a course with an accomplished enameller. Later, in her workshop in Switzerland, she introduced me to her colleagues. I was wearing one of my watches. She said to them: “This is Pierre, one of my students. Look at his watch — he taught himself everything.” Knowing that she was proud of me moved me deeply.
Japanese woodblock prints have been part of my life for a long time, particularly Hiroshige’s landscapes of the Tōkaidō. The calm of these landscapes and the seasons they evoke inspire my dials.
I had originally imagined pursuing this project in my later years. It became an increasingly important part of my life, until I realised that bringing together drawing, watches and enamel was what made me happy. In 2025, I left my career as an engineer to create UKIYO.
Today, I make the dials I dreamed of creating when I first discovered enamel.
I hope that someone looking at them might share a little of the pleasure I had in seeing them take shape.
The Floating World
UKIYO was born in 2025 as the natural continuation of my approach: creating handcrafted watches in which the art of Grand Feu enamel meets Japanese aesthetics.
Ukiyo (浮世), literally “floating world,” is a state of mind centred on the present moment and the beauty of the ephemeral. It inspired ukiyo-e (浮世絵), the prints that celebrate landscapes, seasons and the poetry of everyday life, from Hokusai’s Great Wave off Kanagawa to Hiroshige’s journeys and Utamaro’s portraits. Where prints seek to capture a fleeting moment, enamel preserves its beauty in a material that withstands time.
The “Ukiyo” Logo
The UKIYO logo takes the form of a hanko, a round seal like those used by the masters of Japanese printmaking. Simple in appearance, these seals follow precise conventions: ancient Chinese characters are carved in a particular style of script, often Tensho-tai. In the Hokusai print below, the round hanko reads “Hokusai,” while the square hanko means “Mad About Drawing.”
Created by a master artisan in Tokyo, the UKIYO seal bears the characters 浮世 (“Ukiyo”). The design brings these two characters together within a circle in a fluid composition, while respecting traditional typographic rules. It was then carved into a piece of precious wood.